"Lieutenant Commander Sakamoto of the Imperial Warship 'Akagi'
Fights Bravely" by Mizuno Toshikata, 1894 [2000.380.20]
"The Great Battle of Ansong Ford: The Valor of Captain Matsuzaki"
by Mizuno Toshikata,
1894-1895 [2000.115]
"The Skillful Harada Jūkichi of the First Army in the Attack on Hyonmu
Gate Leads the Fierce Fight" by Mizuno Toshikata, 1894 [2000.101]
"Captain Higuchi" by Mizuno Toshikata, 1895
[2000.439]
"Captain Higuchi, the Battalion Commander of the Sixth Division..."
by Migita Toshihide, 1895 [2000.427]
"Picture of Colonel Satō Attacking the Fortress at Niuzchuang"
by Migita Toshihide, 1895 [2000.433]
"Picture of Captain Sakuma Raising a War Cry at the Occupation
of the Pescadores" by Migita Toshihide, 1890 [2000.134]
The Predictable Pose of the Hero
Although prints of the Sino-Japanese War purported to depict actual battles and the exploits of real-life officers and enlisted men, the "Hero" almost invariably struck a familiar pose—like a traditional Kabuki actor playing a modern-day warrior. Officers in austere Western-style uniforms brandished swords (the counterpart for enlisted men was the bayonet). Their posture was resolute, their discipline obvious, their will transparently unshakable.
"The Great Victory of Our Army at the Battle of Pyongyang"
by Adachi Ginkō, 1894-1895 [2000.380.02]
"Colonel Satō Charges at the Enemy Using the Regimental Flag as a Crutch
n the Fierce Battle of Newchang" by Ogata Gekkō, 1895 [2000.182]