Required Texts
Singer, Irving. Reality Transformed: Film as Meaning and Technique. Cambridge, MA: MIT Press, 1998. ISBN: 0262692481.
———. Three Philosophical Filmmakers: Hitchcock, Welles, Renoir. Cambridge, MA: MIT Press, 2004. ISBN: 0262195011.
Where available, links to more information about each film viewed in the course have been made to the Internet Movie Database.
Readings and Films by Session
LEC # | TOPICS/READINGS/FILMS |
---|---|
1 |
Introduction: Myth in Visual and Literary Arts Film: Sturges, Preston. The Lady Eve, 1941. |
2 |
Film: Jeunet, Jean-Pierre. Amélie, 2001. |
3 |
Film: Cocteau, Jean, and Jean Delannoy. The Eternal Return, 1943. |
4 |
Film: Asquith, Anthony, and Leslie Howard. Pygmalion, 1938. |
5 |
Film: Holland, Agnieszka. Washington Square, 1997. |
6 |
Film: Wyler, William. The Heiress, 1949. |
7 |
Film: Hitchcock, Alfred. The 39 Steps, 1935. |
8 |
Discussion of Readings and Screenings to date - |
9 |
Film: Cocteau, Jean. Orphée, 1950. |
10 |
Film: Cocteau, Jean. The Testament of Orpheus, 1960. |
11 |
Film: Bergman, Ingmar. The Seventh Seal, 1957. |
12 |
Discussion of Student Drafts of Paper 2 Film: Bergman, Ingmar. Through a Glass Darkly, 1961. (Interviews.) |